dinsdag 16 juli 2024

Something rotten in the state of the world .. toch vreemd, normaalgesproken was nu Michelle Obama met George Clooney als vice president naar voren geschoven bij de Democraten, alsof ze willen verliezen, passieve konijnen in de koplamp of so .. met vvd klaske kakel de jonge wist ik hoe ze dacht en kon ik daardoor soms haar gedachtes (van haar gezicht) lezen, ook omdat ze werkelijk continu ijdel verwaand zat te kakelen, zo ook NSBCDA - kamerlid hertzberger: 'groot ongemak' bij coalitie met PVV .. zo kakelhuichelt extreem rechtse laffe nsb vvd ss ijdele verwaande daardoor smerige stupide kippe kotss kut rosanne hertzenberger achteraf, terwijl de wereld vergaat door mammonkanker krengetjes zoals jij, kutkotssmutss >> geen enkele originele oorspronkelijke goede gedachte, ijdel navelstarend kuttengekakel uit huichelbekkie hertzenberger .. en die eenzijdige lege holle gedachtengang is toepasselijk op alle negatief genoemden waarvan je nooit iets anders zult horen, lezen of zien dan de bekende eenzijdige rechtse nsb vvd ggg ss ccccc geluiden

regeltjes, regeltjes ! wetten ! Met kutten regeltjess en wetten van beveiliging en bescherming door politie en leger van hebzuchtige bezitterige egoïstische geketende laffe sielige slachtoffertjes en daarin solidaire ijdele verwaande verrotte doodse gore gelovige gluiperige smerige stupide conceited complacent conformist coward christian chicken cuntss hebben we een illusie van controle ! Dus dood voor allen rond 2057 door verbranden van olie, kolen, gas, bossen en de natuur en meteen gelijkwaardigheid, sociale solidariteit en vrijheid vernielen >> bye bye geketende ijdeltuiten met een kroontje op je varkenskippe KUTKOP, lying greedy animal farm pigsschickenss, it's never been a pleasure for planet earth having you around .. except for too little


https://www.youtube.com/watch?v=C9BC0QBh9Pc

i have to erase, to know how you taste, i have to erase, the look on your face, i have to erase you but i'm dying, you cunt .. eigen lijk is elke dag een verjaar dag .. elke dag is het begin van de rest van je leven, behalve voor verstarde verwaande doodsse hertzenberger en meer dan 95% van de vvd pvv nscda bbb fvd, door en door verstard in de mammonkanker kop, leidend naar de dood van de mensheid, de natuur en planeet aarde rond 2055, our common future with these 💀💀retarded zombies


https://www.youtube.com/watch?v=edeHEzeLA_o

https://www.youtube.com/watch?v=puEVr0OLfxY






"YESTERDAY NIGHT YOU WERE TALKING ABOUT VENICE IN YOUR SLEEP !"
"VENICE WHO, VENICE WHO, I DON'T KNOW WHO VENICE IS, VENICE WHO ?"
"ARE YOU A FUCKING OWL !? YOU KEPT ON YEARNING FOR VENICE !"





Moet je het onderstaande nsb vvd valse verwaande doodse kuttenverhaal toch eens lezen, ze doet zelf precies datgene waarover ze klaagt (ironie of persiflage van dergelijke vernielende vieze vuile doodse rechtsse mammonkanker praatjes is niet meer moge lijk, het is zo erg, die verwaande domste leegte) en gebruikt de kuttenwoordjes uit dat ijdele huichelbekkie van boris dittrich, "spannend om de coalitie te maken", er is geen coalitie van ijdele vvd nsb ggg ss kakelende kippen en knorrende varkens. 

Er zou geen government as a killing burden on the people and planet van goorste ssmerigste nsb vvd ggg ss adolf hitler conformist conceited complacent coward chicken cuntss meer moeten zijn en dus nooit meer die mammonkanker kutkopf van ijdele verwaande domste kriel kakelkip rosanne hertzberger  


NSC-Kamerlid Hertzberger: 'groot ongemak' bij coalitie met PVV© Copyright ANP 2024

DEN HAAG (ANP) - NSC-Kamerlid Rosanne Hertzberger voelt "groot ongemak" bij de samenwerking met de PVV, schrijft ze op LinkedIn. Ze zegt daarbij ook dat ze niet de enige is in haar partij die hier zo over denkt. Ze verdedigt de keuze om met de partij van Geert Wilders in een coalitie te stappen. Maar meteen in de eerste week van het nieuwe kabinet waren volgens Hertzberger ook de "lelijke kanten van deze samenwerking" te zien.

"We zagen hoe kandidaat-bewindspersonen ook in functie als minister niet ophouden met het beledigen van minderheden in dit land. Hoe de PVV ook wanneer ze regeringsverantwoordelijkheid draagt gewoon doorgaat met ophitsen, haatzaaien, polariseren en ontregelen van het debat", aldus het Kamerlid.

Daardoor komt de inhoud maar niet aan bod, zegt Hertzberger. "Dit moeten we ook niet normaal vinden", stelt ze. Het risico op "het hellend vlak, op gewenning, op normalisering" ligt volgens haar op de loer. De parlementariër belooft haar bezwaren daarom "luid en duidelijk" te blijven delen.

Olifant

In het bericht blikt Hertzberger terug op een recente ledenbijeenkomst in Pijnacker. Daarbij heeft ze naar eigen zeggen ook de hierboven beschreven "olifant in de Kamer" benoemd.

De keuze van de NSC-fractie om de samenwerking met de radicaal-rechtse PVV aan te gaan was "heel spannend", schrijft het Kamerlid. "En het kon alleen dankzij de strikte voorwaarden die we voor die samenwerking stelden, waaronder een rechtsstatelijk kader waarbinnen alle betrokken politici zich moeten begeven."


Als contrast maar wel iets moois, wat zijn die ijdele verwaande kutten walge lijk weerzinwekkend. 


Open secret

This article is more than 19 years old
Terry Callier made one of the great 60s soul albums - but a series of bad breaks meant it remained obscure until the 1990s. He tells Will Hodgkinson about his double life

If a back catalogue of heartbreak and misery are the credentials for a soul singer, Terry Callier is well qualified for the job. Born in the Chicago projects, Callier has had a lifetime of broken dreams.

His 1965 debut, The New Folk Sound of Terry Callier, with its tinges of folk and jazz and state-of-the-nation lyrics, is one of the great 60s soul albums, but a series of bad breaks meant that it remained obscure until the early 1990s when Callier, by then working as a computer programmer at the University of Chicago, was discovered by a new generation. The setbacks began at the age of 17 when his mother told him that, rather than become a superstar on the legendary Chess label, he had to stay at home and revise for his exams.

"I started in doo-wop groups when I was about 12," says Callier, who seems to have used the experiences of his troubled life to build wisdom rather than bitterness. "And what set the best ones apart was that they wrote their own material. Some of the poetry was fantastic: the Moroccos had a song called Bang Goes Your Heart and the Eldorados had Crazy Little Mama, and they're just beautiful; I still listen to them today. They made me realise that you have to be original."

Callier spent his lunch periods at high school singing in the bathrooms, principally because the marble walls created a nice echo. "I remember like it was yesterday the time the guys in the group let me sing This Is the Night by the Cool Jets, after a year of being in the background. Some guy stopped me half way and said: 'Why are you trying to sound like somebody else? Just try and sound like you .' That was the most influential thing anyone ever told me."

By the time he was 17, Callier joined Howlin' Wolf and Muddy Waters at Chess records after taking an audition. He went in the following Monday to make a recording and by Saturday his debut single was a hit. Leonard Chess asked Callier to join Etta James and Muddy Waters on a Chess tour of America, so he went home to pack his suitcase. That was when his mother stepped in. "I didn't say anything to her apart from 'pass the mustard' for a week or two, but in retrospect she made the right decision. At that age, I would have done everything to excess." Three years later Callier was at college, where he was exposed to the folk music explosion that hit America in the early 60s. "A guy in the dorm room had a guitar and he was always teaching me songs. So I went down to a coffee house in Chicago, and soon I was playing Wednesday through Sunday at that coffee house and having the time of my life. So I had to go to my mum again and say: 'Now I'm really not going back to school.' This time she said OK."

Alongside Bob Dylan, Fred Neil and a local folk singer called Bob Gibson, Callier was discovering John Coltrane, who had just released his free jazz album A Love Supreme. "He was playing at a little club called McKees, and I got there early to see Elvin Jones nailing his drum kit to the floor. Then the quartet rocks on stage, and I wasn't prepared for the intensity with which these guys threw themselves into the music - I had never seen men do that before in my life and it frightened me. It made me realise that everything in life was in this music: the beautiful and the ugly, the godly and ungodly. Not everybody wants to touch those places because there are things we have to forget in order to live with ourselves, and that music didn't let you have any secrets."

Callier recorded his album, The New Folk Sound, under the influence of Coltrane, using two upright basses and two acoustic guitars to create a unique sound. The record would probably have been a hit but for the fact that its producer, Samuel Charters, took the tapes of The New Folk Sound on a voyage of self-discovery into the North American desert, where he lived with the Yaki Indians for the next three years. The album was finally released on Prestige in 1968, and Callier only knew about it after his brother saw it in a Chicago antiques store. "I went in, bought the album, and took it home. Then I decided to make another go of it." Callier kept making records and touring until 1983, when he received a call from his 12-year-old daughter. She told him that she was coming to live with him in Chicago, so he gave up showbusiness for the job with the University of Chicago. "I didn't touch a guitar from 1983 until 1988 because I was just too busy. Then in 1991 I got a call from a guy in London called Eddie Pillar, who ran a label called Acid Jazz. He told me that he had been playing my records in clubs and he wanted to re-release them and get me playing in England again. So for the next few years, I came over to do gigs in London in my vacation time from my day job."

In 1998 Callier's album Timepeace won a United Nations award, which meant that his employers at the University of Chicago finally learned about his double life. After picking up the award in New York, he came into work to discover that he had four hours to clear his desk. His new album, Lookin' Out, marks the latest stage in what has happened in his life since then. "After all that had happened over the years, I wasn't looking to be a musician again because I had got used to having that pay cheque every two weeks. I've been inspired by Billie Holiday and Miles Davis, and I think that Hank Williams was a genius, but those people were never going to do anything but make music and live that life. That's not me. If I hadn't lost my job, I wouldn't be here now."


Varkenss als trump of wilders ontkennen het onderstaande of zijn er trots op, kijk nou toch eens wat wij vraatzuchtige vieze doodse varkenss kunnen


Climate change is messing with time more than previously thought, scientists find

The impacts of human-caused climate change are so overwhelming they’re actually messing with time, according to new research.

Polar ice melt caused by global warming is changing the speed of Earth’s rotation and increasing the length of each day, in a trend set to accelerate over this century as humans continue to pump out planet-heating pollution, according to the study published Monday in the Proceedings of the National Academy of Sciences.

The changes are small — a matter of milliseconds a day — but in our high-tech, hyperconnected world have an important impact on computing systems we have come to rely on, including GPS.

It’s yet another sign of the huge impact humans are having on the planet. “This is a testament to the gravity of ongoing climate change,” said Surendra Adhikari, a geophysicist at NASA’s Jet Propulsion Laboratory, and a report author.

The number of hours, minutes and seconds making up each day on Earth are dictated by the speed of the Earth’s rotation, which is influenced by a complex knot of factors. These include processes in the planet’s fluid core, the ongoing impact of the melting of huge glaciers after the last ice age, as well as melting polar ice due to climate change.

For millennia, however, the impact of the moon has dominated, increasing the length of a day by a few milliseconds per century. The moon exerts a pull on Earth causing the oceans to bulge towards it, gradually slowing Earth’s rotation.

Scientists have previously made connections between polar ice melt and longer days, but the new research suggests global warming is a bigger influence on time than recent studies have shown.

In the past, the impact of climate change on time “has not been so dramatic,” said Benedikt Soja, a study author and assistant professor of space geodesy at the Swiss university ETH Zurich.

But that could be changing. If the world continues to pump out planet-heating pollution, “climate change could become the new dominant factor,” outpacing the moon’s role, he told CNN.

It works like this: As humans warm the world, glaciers and ice sheets are melting, and that meltwater is flowing from the poles toward the equator. This changes the planet’s shape — flattening it at the poles and making it bulge more in the middle — slowing its rotation.

The process is often compared to a spinning ice skater. When the skater pulls their arms in towards their body, they spin faster. But if they move their arms outwards, away from their body, their spin slows.

The team of international scientists looked at a 200-year period, between 1900 and 2100, using observational data and climate models to understand how climate change has affected day length in the past and to project its role in future.

They found the impact of climate change on day length has increased significantly.

Climate change-fueled sea level rise caused the length of a day to vary between 0.3 and 1 milliseconds in the 20th century. Over the past two decades, however, the scientists calculated an increase in day length of 1.33 milliseconds per century, “significantly higher than at any time in the 20th century,” according to the report.

If planet-heating pollution continues to rise, warming the oceans and accelerating ice loss in Greenland and Antarctica, the rate of change is set to soar, the report found. If the world is unable to rein in emissions, climate change could increase the length of a day by 2.62 milliseconds by the end of the century — overtaking the natural impacts of the moon.

“In barely 200 years, we will have altered the Earth’s climate system so much that we are witnessing its impact on the very way Earth spins,” Adhikari told CNN.

A few milliseconds of additional time a day may be imperceptible to humans but it has an impact on technology.

Precise timekeeping is vital for GPS, which everyone with a smartphone will have, as well as other communication and navigation systems. These use highly precise atomic time, based on the frequency of certain atoms.

From the late 1960s, the world started using coordinated universal time (UTC) to set time zones. UTC relies on atomic clocks but still keeps pace with the planet’s rotation. That means at some point “leap seconds” need to be added or subtracted to keep alignment with the Earth’s rotation.

Some studies have also suggested a correlation between an increase in day length and an increase in earthquakes, said Mostafa Kiani Shahvandi, a study author and a geoscientist at ETH Zurich. But the connection remains speculative and much more research needs to be done to establish any clear link, he told CNN.

A paper on the same topic published in March concluded that while climate change was increasingly slowing the Earth’s rotation, processes in the Earth’s core could be more important and actually be speeding it up, shortening day length.

“What we have done is to go a little bit further and re-estimate these trends,” said Shahvandi. They found any influence from the molten core was outweighed by that of climate change.

Duncan Agnew, professor of geophysics at the University of California San Diego and author of the March study, said the new study still meshes with his research, “and is valuable because it extends the result further into the future and looks at more than one climate scenario.”

Jacqueline McCleary, an assistant professor in physics at Northeastern University who was not involved in the study, said the new research helps inform “a decades-long debate over what role, exactly, climate change will play in the changing length of the day.”

While there is now general agreement climate change will have a “net lengthening effect on the day,” she told CNN, there has still been uncertainty about which processes affecting time will dominate this century. This study concludes climate change is now the second-most dominant factor, she said.

It’s a sobering conclusion, said ETH Zurich’s Soja. “We have to consider that we are now influencing Earth’s orientation in space so much that we are dominating effects that have been in action for billions of years.”






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